The 1926 collapse of the Mizner Development Corporation in Boca Raton
caused all sorts of legal problems for Addison and Wilson
Mizner. Addison took personal responsibility for the corporation's debts.
From 1933, until his death in 1933, Addison was nearly destitute, relying
on loans from wealthy pals, and an occasional architecture commission
thrown his way.
"I never open my door my door but a writ blows in," Wilson said, not long
before he deserted Florida - in 1927 - and drove to Hollywood. For yet
another time, Wilson landed in a boomtown, as the change from silent to
talking pictures turned Hollywood into the world's film capital.
Wilson's wit, his colorful past, and his knowledge of underworld
slang (acquired during his stay in New York) made him a Hollywood natural.
Backed by movie mogul Jack Warner and actress Gloria Swanson
(or possibly by one of Swanson's former husbands),
Wilson opened the Brown Derby restaurant, a hangout for
moviedom's most glamorous names. Wilson regularly held court from one
of the Brown Derby's booths, where his coterie included writer Anita Loos,
who described Wilson "America's most fascinating outlaw". Best
known for writing "Gentlemen Prefer Blondes", Loos also wrote the script
for the film "San Francisco". Loos reportedly based the film's
leading character in the movie "San Francisco" on Wilson
(Clark Gable portrayed this film character).
Another Brown Derby habitue: Irving Berlin, a chum of Wilson's during the
Mizners' sojourns in New York and Palm Beach. Once, Wilson had to be
physically restrained after attacking a Brown Derby patron who Wilson
thought had insulted Berlin. (Such episodes no doubt aggravated Wilson's
steadily worsening heart condition.) When not hanging out at the Brown
Derby, Wilson was most often on the Warner Brothers lot, where he was hired
as a scriptwriter. Though touted for his screenplay for
"One Way Passage, an early talkie hit, most of Wilson's time at Warner
Brothers was spent loafing.
Occasionally, friends from Wilson's earlier years would show up at Warner
Brothers. In New York, Wilson managed a middleweight fighter, Stanley
Ketchel, who lasted 12 rounds against heavyweight Jack Johnson. Two
decades later, Johnson was hired for a bit part in a Warner Brothers
movie. Wilson took the former boxer around the lot, introducing him to
the top brass at Warner Brothers.
The ever-cynical Wilson characterized his Hollywood years as
"a trip through a sewer in a glassbottomed boat." Wilson had taken a
few such trips. This time there was a difference: Addison Mizner was
no longer a co-passenger.
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